Stephen Greenblatt argued in these celebrated essays that the art of the Renaissance could only be understood in the context of the society from which it sprang. His approach - 'New Historicism' drew from history, anthropology, Marxist theory, post-structuralism, and psychoanalysis and in the process, blew apart the academic boundaries insulating literature from the world aroun...(展开全部)

The author is a pioneer of "new historicism" - a form of cultural criticism that is refashioning studies in the humanities. His writing reflects the concerns of new historians: refusing to respect the boundaries that arbitrarily divide the literary and aesthetic from the political, it seeks to situate the elusive pleasures of literature within a context of cultural and historic...(展开全部)

娜塔莉•泽蒙•戴维斯（Natalie Zemon Davis，1928－），著名历史学家，美国新文化史领军人物，主要研究欧洲近代早期史。先后执教于布朗大学、多伦多大学、伯克利加州大学、普林斯顿大学，曾任美国历史学会主席，现为普林斯顿大学荣休Henry Charles Lea历史学教授，兼任加拿大多伦多大学历史学与中世纪研究教授、比较文学中心高级研究员。著有《法国近代早期的社会与文化》、《马丁•盖伊返乡记》、《档案中的虚构》、《银屏上的奴隶》、《边缘女人》、《16世纪法国的礼物》等。

娜塔莉•泽蒙•戴维斯（Natalie Zemon Davis，1928－），著名历史学家，美国新文化史领军人物，主要研究欧洲近代早期史。先后执教于布朗大学、多伦多大学、伯克利加州大学、普林斯顿大学，曾任美国历史学会主席，现为普林斯顿大学荣休Henry Charles Lea历史学教授，兼任加拿大多伦多大学历史学与中世纪研究教授、比较文学中心高级研究员。著有《法国近代早期的社会与文化》、《马丁•盖伊返乡记》、《档案中的虚构》、《银屏上的奴隶》、《边缘女人》、《16世纪法国的礼物》等。

The concept of cultural history has in the last few decades come to the fore of historical research into early modern Europe. Due in no small part to the pioneering work of Peter Burke, the tools of the cultural historian are now routinely brought to bear on every aspect of history, and have transformed our understanding of the past. First published in 1978, this study examines...(展开全部)

彼得·伯克（Peter Burke），英国历史学家。1937年生，现为剑桥大学文化史教授和伊曼纽尔学院研究员。伯克毕业于牛津大学，获圣约翰学院学士学位和圣安东尼学院硕士学位。一度任苏塞克斯大学高级讲师。1970年转入剑桥大学执教。伯克的研究专长在欧洲近代早期的社会史、思想史和文化史，主要著作包括《文艺复兴时代的历史观》（1970年）、《文艺复兴时代意大利的文化与社会：1420－1540年》（1972年）、《文艺复兴时代意大利的传统和创新：一种社会学的研究方法》（1974年）、《威尼斯和阿姆斯特丹：17世纪上层社会研究》（1974）、《欧洲近代早期的大众文化》（1978年）、《社会学和历史学》（1980年）、《蒙泰涅》（1981年）、《维科》（1985年）、《法国的史学革命：年鉴学派1929－1989年》（1990年）、《制作路易十四》（1992年）、...(展开全部)

This classic collection of essays has already established itself as a rich source of material for students of sixteenth and seventeenth-century France. Natalie Davis focuses on the lower social orders - peasants, artisans, the poor generally - and in a series of brilliantly penetrating cast-studies throws fresh light on some of the great issues of social change: the impact of p...(展开全部)

This classic collection of essays has already established itself as a rich source of material for students of sixteenth and seventeenth-century France. Natalie Davis focuses on the lower social orders - peasants, artisans, the poor generally - and in a series of brilliantly penetrating cast-studies throws fresh light on some of the great issues of social change: the impact of p...(展开全部)

This book is a path-breaking study of print culture in early modern China. It argues that printing with both woodblocks and movable type exerted a profound influence on Chinese society in the sixteenth and seventeenth centuries. The book examines the rise and impact of print culture from both economic and cultural perspectives. In economic terms, the central issues were th...(展开全部)

This book is a path-breaking study of print culture in early modern China. It argues that printing with both woodblocks and movable type exerted a profound influence on Chinese society in the sixteenth and seventeenth centuries. The book examines the rise and impact of print culture from both economic and cultural perspectives. In economic terms, the central issues were th...(展开全部)